Anis Tabaraee’s practice examines how images carry, distort and transmit cultural memory. Drawing on historical, architectural and symbolic references, her works operate as constructed fields in which past and present coexist in unstable relation.

Forms appear familiar but remain unresolved. Figures, structures and motifs emerge only partially, fragmented or displaced within layered compositions that resist fixed interpretation. What is seen is continually interrupted by what is obscured, altered or withheld.

Her work does not reconstruct history, but reconfigures its visual language. Cultural references are not presented as stable markers, but as shifting elements within a system of image-making that reflects rupture, displacement and transformation.

Across the work, image becomes a site of tension, between recognition and abstraction, memory and invention, continuity and fragmentation

Her work operates between image, symbol and structure, without settling fully into any one domain.