Peter Schäublin’s work expands a single investigation across different domains. His images examine how forces, environmental, material and human, act upon matter, objects and bodies, shaping, eroding and transforming what can be seen.

Working with elemental conditions such as water, air, salt, ice and fire, alongside traces of labour and human presence, Schäublin isolates moments where structure becomes unstable and recognition begins to shift.

These works do not present landscape, object or figure as fixed subjects. Instead, they operate as encounters with processes: formation, disturbance and suspension. Matter accumulates, disperses and resists, while scale collapses and perception becomes active rather than passive.

Across these domains, Schäublin’s practice forms a continuous investigation into instability and change. The visible is treated not as a stable surface, but as a field shaped by pressure, time and interaction.